Design in Socio-Cultural Dimension
How to Cite
Pigulevsky V.O., Mirskaya L.A. Design in Socio-Cultural Dimension. Humanities of the South of Russia. 2019. Vol. 8. No. 1. P. 118-132. DOI: https://doi.org/10.23683/2227-8656.2019.1.9 (in Russ.).
Abstract
Design is considered as a design mechanism embedded in the system of economic, social and cultural relations. Industrial and communicative design constitute two aspects of symbolic consumption, the production of things and the production of signs - packaging, labeling, advertising. Historically, functionalism has supported a modernist utopia, and styling has been an incentive for sales and for raising needs. In the social aspect, design determines the stratification and differentiation of consumption. The assignment of things determines the prestige, status and identification of the person. In the field of culture, the production and consumption of things-signs is connected with the variety of connotations from gadgets, robots and machines expressing progress, to things of everyday use that have a private and entertaining meaning. The total nature of the design from the environment to the language of communication determines the socio-economic and cultural-historical features of the semantics of things-signs of modern civilization.
Keywords:
design, identification, social status, social consumption, project development, things, signs, modern, postmodern, culture, civilization
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Forti, A. (2011). Objects of desire. Design and society since 1765. M.
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Khart, K. (2006). Postmodernism. M.
Khiller, B. (2004). Style of the twentieth century. M.
Starck, F. (2003). Taschen GmbH
Citation Formats
Other cite formats:
APA
Pigulevsky, V. O., & Mirskaya, L. A. (2019). Design in Socio-Cultural Dimension. Humanities of the South of Russia, 8(1), 118-132. https://doi.org/10.23683/2227-8656.2019.1.9
Section
PHILOSOPHY AND SOCIETY
