Cult Phenomena of Russian Civilization through the Prism of Art and Design
How to Cite
Pigulevskiy V.O., Mirskaya L.A. Cult Phenomena of Russian Civilization through the Prism of Art and Design. Humanities of the South of Russia. 2019. Vol. 8. No. 5. P. 269-283. DOI: https://doi.org/10.23683/2227-8656.2019.5.23 (in Russ.).
Abstract
The cult phenomena of Russian civilization are distinguished by their originality, embodied by the Russian idea. The Russian idea is a concept, a national dream of a happy and fair society. Value settings - collectivism and internationalism with a condemnation of egoism and nationalism, faith and mercy, the priority of morality in relation to the ethics of utilitarianism. Hence the specifics of the cult phenomena of Russian art. As a concept, the dream acquires the character of a project, goal-setting, making Russian history teleological, because it affects not only the mentality, but the social structure. The Russian idea is a unique combination of value settings, mental characteristics, traditions, customs and power structure. The peculiarity of power is the priority of the state in relation to the individual, which determines the features of art and social Progress, the priority of large projects: system industrial design associated with fundamental science. Russian mentality is a combination of Western rationalism and Eastern passions, becomes the creative basis of spiritual and technical achievements of civilization.
Keywords:
the Russian idea, civilization, culture, symbolic object, tradition, nationality, patriotism, design, art
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Konik, M.A. (2005). Archive of one workshop. M.
Kondakov, I.V. (1997). West and East. Kul'turologiya. XX vek. Slovar'. SPb.
Limanskaya, L.Yu. (2016). Typical and archetypal in socialist realism and social art. Artikult, 21, 6-15. (in Russian).
Lubsky, A.V., Lubsky, R.A. Political man as a normative personality type in Russia: mental matrix and normative behavior model: monograph (2019). M.: INFRA-M.
Malkov, Yu.G. (1987). To the study of the Trinity by Andrei Rublev. Muzey 8. Khudozhestvennyye sobraniya SSSR. M.
Minenkov, G.Ya. (2002). Sophiology. Istoriya filosofii. Entsiklopediya. Minsk.
Mikhailov, S., Mikhailova, A. (2008). Fundamentals of Design. Kazan.
Mozheiko, M.A. (2002). Sofia. Istoriya filosofii. Entsiklopediya. Minsk.
Pivovarov, Yu.S. (2003). Russian history as the “Russian Idea”. Rossiya i sovremennyy mir, 2, 5-27. (in Russian).
Pigulevsky, V.O., Stefanenko, A.S. (2018). The history of design. Things and brands. Saratov.
Punin, N.N. (1920). Monument to the III International. Pg.
Rapay, K. (2008). Cultural Code. How we live, what we buy and why. M.
Stepanov, Yu. (2004). Constants: Dictionary of Russian Culture. M.
Sudzhich, D. (2015). Language of things. M.
Trinity of Andrei Rublev. (1981). Anthologiya. M.
Uspensky, L.A., Lossky, V.N. (1952). The meaning of the icons. M.
Hodge, S. (2015). Design. Why is this a masterpiece? M., 2015
Citation Formats
Other cite formats:
APA
Pigulevskiy, V. O., & Mirskaya, L. A. (2019). Cult Phenomena of Russian Civilization through the Prism of Art and Design. Humanities of the South of Russia, 8(5), 269-283. https://doi.org/10.23683/2227-8656.2019.5.23
Section
CULTURE AND GLOBALIZATION
